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<channel>
	<title>Yelena Arakelow: Home</title>
	<link>https://yelenaarakelow.com</link>
	<description>Yelena Arakelow: Home</description>
	<pubDate>Sat, 19 Sep 2026 14:02:46 +0000</pubDate>
	<generator>https://yelenaarakelow.com</generator>
	<language>en</language>
	
		
	<item>
		<title>HOME</title>
				
		<link>https://yelenaarakelow.com/HOME</link>

		<pubDate>Sat, 30 Jun 2018 12:20:23 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

		<guid isPermaLink="true">https://yelenaarakelow.com/HOME</guid>

		<description>
	


YELENA ARAKELOW

	&#38;nbsp; &#38;nbsp; PHYSICAL félagið &#38;nbsp;






	

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 

contactScroll for Projects&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 






&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Picture by Titas Falkaukas, Pūga festival




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	<item>
		<title>Studio Hours in Oslo</title>
				
		<link>https://yelenaarakelow.com/Studio-Hours-in-Oslo</link>

		<pubDate>Thu, 18 Dec 2025 01:13:26 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

		<guid isPermaLink="true">https://yelenaarakelow.com/Studio-Hours-in-Oslo</guid>

		<description>Studio Hours in Oslo&#60;img width="1170" height="1896" width_o="1170" height_o="1896" data-src="https://freight.cargo.site/t/original/i/55a88afc1f0bbe5d6192fb353f2a935508a4442f2f1f43b391871b949245d81d/IMG_0644.jpg" data-mid="241918231" border="0"  src="https://freight.cargo.site/w/1000/i/55a88afc1f0bbe5d6192fb353f2a935508a4442f2f1f43b391871b949245d81d/IMG_0644.jpg" /&#62;


Studio Something &#124; Happens, Reykjavik, December 2025


"Studio Hours in Oslo" is an improvisation of the performative material I worked with during my Master's in Dance studies at KHiO. I spent hours on my own and with others dancing in and out of flow, sweating, shaking, searching for inconveniences and answers, writing, reflecting, reading, and chatting. The Asscrack Dance Practice was at heart. Sometimes the studio hours were in the state of being undressed, partially naked, or covered by clothes, and sometimes there was an imaginary crocodile.
Accessibility grid with trigger warnings

If you have any questions, please reach out to me (Yelena) directly.
Special thanks to Something / Happens Studio - Renāte Feizaka, Christalena Hughmanick, for having me, Dansverkstæðið - Steinunn Ketilsdóttir, Vala Rúnarsdóttir, for rehearsal space, as well as Linde Hanna Rongen and Katie Hitchcock for feedback.



</description>
		
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	<item>
		<title>Unsure materials for a variety of numbers</title>
				
		<link>https://yelenaarakelow.com/Unsure-materials-for-a-variety-of-numbers</link>

		<pubDate>Thu, 18 Dec 2025 00:57:55 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

		<guid isPermaLink="true">https://yelenaarakelow.com/Unsure-materials-for-a-variety-of-numbers</guid>

		<description>Unsure materials for a variety of numbers
&#60;img width="1067" height="1600" width_o="1067" height_o="1600" data-src="https://freight.cargo.site/t/original/i/10d999c01b06c951f1ff3ec32905bcaae2a30da480d96f4bf653d1452d2c396d/WhatsApp-Image-2025-11-02-at-21.44.30-3.jpeg" data-mid="241918170" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/10d999c01b06c951f1ff3ec32905bcaae2a30da480d96f4bf653d1452d2c396d/WhatsApp-Image-2025-11-02-at-21.44.30-3.jpeg" /&#62;

Ásmundarsafn, November 2025


‘Unsure materials for a variety of numbers’ is a performance in the beginning state of research, a spontaneous meeting between the dancers Yelena Arakelow &#38;amp; Linde Hanna Rongen as part of Project HOFIE. The project is set to take place between Oslo and Reykjavik and premiere at Ásmundarsafn on the 24th of July 2026. It engages in a three-hour durational performance, moving and counting alternately without pause. One counts while the other moves, then they switch. Non-stop, the performance creates a living score that evolves differently in each space.
&#60;img width="3929" height="5894" width_o="3929" height_o="5894" data-src="https://freight.cargo.site/t/original/i/ba9b576d638ab739bfbbcedd76754d383d4feecd2f0900dcd02c39ac4223b796/unsurematerial-7705.jpg" data-mid="241918167" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/ba9b576d638ab739bfbbcedd76754d383d4feecd2f0900dcd02c39ac4223b796/unsurematerial-7705.jpg" /&#62;
Ásmundarsafn by Sarah Lu Fischer, Weaving time, November 2025&#38;nbsp;Trailer
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/907062a83b2551054a277a03ab5b29ecfc2edcdeb86baed57a72b9c2294d42d1/598508465_18139334842460888_6952147649236638844_n.jpg" data-mid="241918217" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/907062a83b2551054a277a03ab5b29ecfc2edcdeb86baed57a72b9c2294d42d1/598508465_18139334842460888_6952147649236638844_n.jpg" /&#62;
Dansverkstæðið, December 2025

Project Timeline

Project Initiation - ReykjavíkDans.haus, 27–31 October 2025
(completed)
Work-in-Progress Sharing - ReykjavíkÁsmundarsafn, Dansverkstæðið, November / December 2025 (completed)
Research I - Oslo&#38;nbsp;1–7th June 2026(tbc)

Research II - ReykjavíkÁsmundarsafn, 13–29 July 2026
(confirmed)

Performances - Reykjavík, Oslo Ásmundarsafn (outdoors), 24th-29th July 2026/2027
(confirmed) 

 &#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/a5bc40e1cd0142cb812a8e853224e51d6142b506c4d361612dd300af81d7b33a/Yelena---Linde-1-1.jpg" data-mid="241918160" border="0"  src="https://freight.cargo.site/w/1000/i/a5bc40e1cd0142cb812a8e853224e51d6142b506c4d361612dd300af81d7b33a/Yelena---Linde-1-1.jpg" /&#62;
Dans.haus by Project Hofie, October 2025


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	<item>
		<title>How to_build a Stage </title>
				
		<link>https://yelenaarakelow.com/How-to_build-a-Stage</link>

		<pubDate>Sat, 19 Sep 2026 14:02:46 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

		<guid isPermaLink="true">https://yelenaarakelow.com/How-to_build-a-Stage</guid>

		<description>How_to build a stage


“How to Build a Stage” is a research project investigating the staging of dance improvisation, audience activation, and participation. The research engages with safer space policies (consent), object ontologies, dramaturgical perspectives, improvisational practices, and instant composition. Collaboration with audiences is central, as the project experiments with ways of co-creating spaces in which the Improv for Dance Enthusiast collective performs.Improv for Dance Enthusiasts&#38;nbsp;
The collective was formed in 2021 and is run by five foreign artists living and working in Iceland: Janosch Bela Kratz, Linde Hanna Rongen, Magdalena Tworek, Meeri Mäkinen, and Yelena Arakelow. We stand for inclusivity and transparency towards our participants and create an open learning environment for both beginners and experienced dance enthusiasts to share their passion for dance.



For more details and projects by Improv for Dance Enthusiasts, visit our website:
https://dance-enthusiasts.org/en/

</description>
		
	</item>
		
		
	<item>
		<title>Three Asscracks Go Dancing</title>
				
		<link>https://yelenaarakelow.com/Three-Asscracks-Go-Dancing</link>

		<pubDate>Tue, 29 Oct 2024 19:24:14 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

		<guid isPermaLink="true">https://yelenaarakelow.com/Three-Asscracks-Go-Dancing</guid>

		<description>Three Asscracks Go Dancing&#38;nbsp;
the sticky strength of muscles glued throughoutthe muscles work juice for juicecrocodile tears running down my spine

&#60;img width="5345" height="3563" width_o="5345" height_o="3563" data-src="https://freight.cargo.site/t/original/i/e077582bba8a2e4483db8827b1629320e7349bbc5e6b8b6d708f4e6734c7f748/PROVEROMMET_MilaElisabeth_OKTOBERDANS_266.jpg" data-mid="220507113" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/e077582bba8a2e4483db8827b1629320e7349bbc5e6b8b6d708f4e6734c7f748/PROVEROMMET_MilaElisabeth_OKTOBERDANS_266.jpg" /&#62;

Dare I speak thoughts of wilderness passing like shivers of crocodiles calling above the surface water. Above the surface water, I wonder how can I let time pass slower, slower I can sink in sweat dripping past the concrete gasp. A gasp of details I wonder.
Is the wild body the body I have not tamed? Tame I tough for others’s sake. 
shake. shake thou shall not rest. rest when thou shall shake.Warm are my cheeks, cold my feet. Heavy lies the head of tears in between 
a gasp of sweat beneath my nails.
&#60;img width="5309" height="3539" width_o="5309" height_o="3539" data-src="https://freight.cargo.site/t/original/i/de75bf0d4c37cf02076e33b7a6ee1df83324dee483f61811768880b0c6ad9eb7/PROVEROMMET_MilaElisabeth_OKTOBERDANS_311.jpg" data-mid="220507172" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/de75bf0d4c37cf02076e33b7a6ee1df83324dee483f61811768880b0c6ad9eb7/PROVEROMMET_MilaElisabeth_OKTOBERDANS_311.jpg" /&#62;

In a world full of capitalist crocodiles it’s time for an asscrack dance.
This dance reveals asscracks, likes innocent nudity, loves thirsty water bottles and cares for unconventional shaking.
The “Asscrack Dance Practice” showcases an exploration of 
the asscrck dance scores which are part of Yelena’s MA Dance project
 at the Oslo National Academy of Dance.
The scores are raw, sweaty, somatic and thirsty.
Performed at Prøverommet during Oktoberdans in Bergen 2024https://bit-teatergarasjen.no/en/program/proverommet/&#38;nbsp;

Scores
Yelena Arakelow
PerformanceSigrid Marie Kittelsaa Vesaas, Sunniva Moen Rørvik and Yelena Arakelow
Duration14 minutes

Sound
DJ Ása Kolla / The Clubkid_Reykjavik
Pictures
Mila Elisabeth Larvoll</description>
		
	</item>
		
		
	<item>
		<title>How to_be moved by art </title>
				
		<link>https://yelenaarakelow.com/How-to_be-moved-by-art</link>

		<pubDate>Sat, 27 Aug 2022 11:51:13 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

		<guid isPermaLink="true">https://yelenaarakelow.com/How-to_be-moved-by-art</guid>

		<description>

How to be moved by art
&#60;img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/6aded38017e5c12ae58b03a2eced8df774f676a0c35f9abaf7b51189237811dd/DSC04147.JPG" data-mid="151419631" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/6aded38017e5c12ae58b03a2eced8df774f676a0c35f9abaf7b51189237811dd/DSC04147.JPG" /&#62;

Do you sometimes feel like you are behaving wrongly inside an exhibition? "How to be moved by art" is a handbook* on how to reclaim the space of the museum through improvised movements and experiences. Dance Improvisation is a tool to establish a new relationship between you and the space you are in. Dance Enthusiasts invites you
to playful encounters with the ongoing exhibition.
Let's discover Gerðarsafn together.

*The handbook, created by Improv for Dance Enthusiast consists of 21 tasks in 5 languages&#38;nbsp; (English, Icelandic, Arabic, Polish, Spanish) and is for all ages and all bodies.

&#38;nbsp;
&#38;nbsp;



&#60;img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/5ce42964796fcda136b5e1e97bf7a52728f42655dce6a45c1233f88176963dec/DSC04123.JPG" data-mid="151420191" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/5ce42964796fcda136b5e1e97bf7a52728f42655dce6a45c1233f88176963dec/DSC04123.JPG" /&#62;&#38;nbsp;
 &#38;nbsp;&#60;img width="3376" height="6000" width_o="3376" height_o="6000" data-src="https://freight.cargo.site/t/original/i/8d518eba18ff9de30f65f428f2bec4a033525a4fb795f224992d3a8db907b131/DSC04182.JPG" data-mid="151420189" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/8d518eba18ff9de30f65f428f2bec4a033525a4fb795f224992d3a8db907b131/DSC04182.JPG" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1152" height="2048" width_o="1152" height_o="2048" data-src="https://freight.cargo.site/t/original/i/174c5ed256061193e5744757de7e91ed98c1e59b801a2d2c340ea68d34a565d5/IMG_6285.JPG" data-mid="151420846" border="0" data-scale="39" data-draggable src="https://freight.cargo.site/w/1000/i/174c5ed256061193e5744757de7e91ed98c1e59b801a2d2c340ea68d34a565d5/IMG_6285.JPG" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;Pictures&#38;nbsp;Vikram Pradhan, Gerðarsafn, Iceland &#38;nbsp; &#38;nbsp;

Improv for Dance Enthusiasts is organising weekly dance classes in improvisation, contact improvisation and partnering, as well as dance jams with live music by local musicians.We stand for inclusivity and transparency towards our participants and create an open learning environment for both beginners and experienced dance enthusiasts to share the passion for dance.

The collective formed in 2020 and is run by four foreign artists living in Iceland: Janosch Bela Kratz, Linde Hanna Rongen, Magdalena Tworek and Yelena Arakelow.

&#38;nbsp;
	&#60;img width="3508" height="3110" width_o="3508" height_o="3110" data-src="https://freight.cargo.site/t/original/i/2efc191fa0f00e5baa356fab5350b0e76553d73aae4d49fc87fc298612b37cbe/271382968_924685031742800_3026275939903232798_n.png" data-mid="151419626" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/2efc191fa0f00e5baa356fab5350b0e76553d73aae4d49fc87fc298612b37cbe/271382968_924685031742800_3026275939903232798_n.png" /&#62;Graphics by Janosch Bela Kratz more info ︎︎︎︎︎https://dance-enthusiasts.org/en


	

&#38;nbsp; 

</description>
		
	</item>
		
		
	<item>
		<title>Ephemeral Echos</title>
				
		<link>https://yelenaarakelow.com/Ephemeral-Echos</link>

		<pubDate>Tue, 29 Oct 2024 19:37:58 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

		<guid isPermaLink="true">https://yelenaarakelow.com/Ephemeral-Echos</guid>

		<description>"Ephemeral Echoes: Archiving through Dance Notation"

&#60;img width="2320" height="1711" width_o="2320" height_o="1711" data-src="https://freight.cargo.site/t/original/i/c4f30285c2f01d2324a7aabf554d10238f0125776154f9498e050f5928028696/Mapping-Notation-Yelena-1.jpeg" data-mid="220507412" border="0"  src="https://freight.cargo.site/w/1000/i/c4f30285c2f01d2324a7aabf554d10238f0125776154f9498e050f5928028696/Mapping-Notation-Yelena-1.jpeg" /&#62;Dance Notation Research

Yelena Arakelow

Supervisor

Tinna Grétarsdóttir, Dansverkstæðið

With the support of 

Iceland University of the Arts

Oslo National Academy of the Arts

Nýsköpunarsjóður Námsmanna

Summer 2024
more info soon ...
</description>
		
	</item>
		
		
	<item>
		<title>Waiting for a dance</title>
				
		<link>https://yelenaarakelow.com/Waiting-for-a-dance</link>

		<pubDate>Fri, 23 Jul 2021 14:03:12 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

		<guid isPermaLink="true">https://yelenaarakelow.com/Waiting-for-a-dance</guid>

		<description>
	
	












Waiting for a dance

	
This experimental dance performance proposes to the audience to indulge in the intimacy of waiting.
What does one experience in the state of waiting?
If we wait together, can we collectively experience desire for change? Unfolding time through repetition and nothingness increases the anticipation for something to happen. Perhaps something we don't yet know how to (...)link to trailer






&#60;img width="3196" height="1796" width_o="3196" height_o="1796" data-src="https://freight.cargo.site/t/original/i/bf218800c586f6a7ed8e6059ec91b6784c2fc9df9a7fb10a42a9cdc8afbdd6e1/Screenshot-2024-03-09-at-23.14.42.png" data-mid="206396226" border="0"  src="https://freight.cargo.site/w/1000/i/bf218800c586f6a7ed8e6059ec91b6784c2fc9df9a7fb10a42a9cdc8afbdd6e1/Screenshot-2024-03-09-at-23.14.42.png" /&#62;Titas Falkaukas, Pūga festival

Credits
Yelena Arakelow_Concept, Choreography
 Baiba Vanaga_PianoSólbjört Vera Ómarsdóttir_Costume

Yelena Arakelow_Soundscape

Premiere
18.08.2022, UNM Iceland

Shows
Reykjavik Dance Festival, Iceland_2022
Ásmundursalur (exhibition), Iceland_2023
Culture Night Grenchen, Switzerland_2023
Pūga Dance Festival, Vilnius, Lithuania_2023Residencies_2021/22Let’s Hang Out Together V, Reykjavik Dance Festival
&#38;nbsp;tóma rýmið and UNM, Iceland and Vangaži, Latvia

Produced and co-financed by UNM Iceland
with financial support by Tónskáldasjóður Rúv, Reykjavik Dance Festival 
and with the friendly support of Ernst von Siemens

Special thanks to 
tóma rýmið, Danvserkstæðið, Reykjavik Dance Festival,
Performing Arts Iceland (travel funding), Vikram Pradhan,
Jóhannes Stefánsson, Sóley Sigurjónsdóttir and
Eydís Rose Vilmundardóttir.

&#60;img width="2916" height="1932" width_o="2916" height_o="1932" data-src="https://freight.cargo.site/t/original/i/918754403fa478fa14959600eeb6f564b41697f66308105db62c93be55f188d9/Screenshot-2024-03-09-at-23.14.15.png" data-mid="206396227" border="0" data-scale="88" alt="Owen Fiene, Reykjavik Dance Festival" data-caption="Owen Fiene, Reykjavik Dance Festival" src="https://freight.cargo.site/w/1000/i/918754403fa478fa14959600eeb6f564b41697f66308105db62c93be55f188d9/Screenshot-2024-03-09-at-23.14.15.png" /&#62;
Owen Fiene, Reykjavik Dance Festival



&#60;img width="3001" height="1999" width_o="3001" height_o="1999" data-src="https://freight.cargo.site/t/original/i/17314a2d5543b2362fa7de26fd2936c9623fe940b5f2bd95d618f1478890f0d5/3_Waiting-for-a-dance_Eydis-Rose-Vilmundardottir.JPG" data-mid="206396277" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/17314a2d5543b2362fa7de26fd2936c9623fe940b5f2bd95d618f1478890f0d5/3_Waiting-for-a-dance_Eydis-Rose-Vilmundardottir.JPG" /&#62;


Eydis Rose Vilmundardóttir,&#38;nbsp;Dansverkstæðið



&#60;img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/04b398bd7fc94db8230617619425d32fb6a0b22119df7f537af847b7cc0f4ba2/1Titas-Falkaukas--Puga-festival.jpg" data-mid="212165809" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/04b398bd7fc94db8230617619425d32fb6a0b22119df7f537af847b7cc0f4ba2/1Titas-Falkaukas--Puga-festival.jpg" /&#62;
Titas Falkaukas, Pūga festival



</description>
		
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	<item>
		<title>Dear Carrot </title>
				
		<link>https://yelenaarakelow.com/Dear-Carrot</link>

		<pubDate>Tue, 04 Jan 2022 00:03:17 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

		<guid isPermaLink="true">https://yelenaarakelow.com/Dear-Carrot</guid>

		<description>
	
	












Dear Carrot,&#38;nbsp;I’m sorry I forgot you outside

Participatory Experimental Dinner Experience
 in a newly created Urban Garden in Skeljanes

&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/34f65ee63cf7b25ab68e41ba63c59ec3feff640f4e64bee2065f25324cd7ff37/_MG_6192.JPG" data-mid="129004100" border="0"  src="https://freight.cargo.site/w/1000/i/34f65ee63cf7b25ab68e41ba63c59ec3feff640f4e64bee2065f25324cd7ff37/_MG_6192.JPG" /&#62;
Picture by Maria-Magdalena Lanchis
Created in collaboration with Jakub Ziemann
Ceramics &#124; Ada Stańczak
Plöntuíð &#124; Andrea Vilhjálmsdóttir
 Location &#124; tóma rýmið
Festival &#124;&#38;nbsp;Plöntuíð







&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/043eaedc455e53cb8759688380a5757bce594d63a24e9eb2ad5adc55e0e2cf02/_MG_6340.JPG" data-mid="129004144" border="0"  src="https://freight.cargo.site/w/1000/i/043eaedc455e53cb8759688380a5757bce594d63a24e9eb2ad5adc55e0e2cf02/_MG_6340.JPG" /&#62;Picture by Maria-Magdalena Lanchis

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		<title>á og í ;</title>
				
		<link>https://yelenaarakelow.com/a-og-i</link>

		<pubDate>Mon, 29 Mar 2021 10:48:56 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

		<guid isPermaLink="true">https://yelenaarakelow.com/a-og-i</guid>

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á og í ;&#38;nbsp;
(Intimacy with Nothingness)

With sensitivity she choreographs and leads the audience through the space of the exhibition and withso introduces an experience of Dance to the fine art world. By approaching to exhibit dance Yelena Arakelow confront how and where movement vs. dance starts, endures and ends.

She asks how movement weights and touches and
dwells in moving sideways in the intimacy of nothingness.
This exhibitions is inspired by Peter Sloterdijks writings on Infinite Mobilization where he looks at how movement leads to more movement; “..the self-exploitation of value as production of productivity is one of the many ways in which the modern mobilization loop begins to turn into movement that leads to more movement.”.
Yelena asks: “Perhaps it’s time to find an end to…” 




&#60;img width="5421" height="3614" width_o="5421" height_o="3614" data-src="https://freight.cargo.site/t/original/i/11d24fe3c5438050575753d1a2060f452e5742e482f5d2151107fb832218be47/P1_leaning-on-thoughts-landing_VigfusBirgisson.jpg" data-mid="151652071" border="0" data-scale="41" alt="&#38;ldquo;leaning on thoughts landing&#38;rdquo;" data-caption="“leaning on thoughts landing”" src="https://freight.cargo.site/w/1000/i/11d24fe3c5438050575753d1a2060f452e5742e482f5d2151107fb832218be47/P1_leaning-on-thoughts-landing_VigfusBirgisson.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/1cd390a7edd1c412da17547be66340ef04af9b9f059bcd9b7a82367b0769c743/P4_Moving-sideways--Attempt-Nr.7_Dagur-Jhannsson.jpg" data-mid="151652078" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/1cd390a7edd1c412da17547be66340ef04af9b9f059bcd9b7a82367b0769c743/P4_Moving-sideways--Attempt-Nr.7_Dagur-Jhannsson.jpg" /&#62;&#38;nbsp;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/74108f2125ac2bf324e6f3a7c58b8e7532dccd956b931094fe467430c02fb758/P1_The-Strength-Time-Takes.jpg" data-mid="151653756" border="0" data-scale="44" src="https://freight.cargo.site/w/1000/i/74108f2125ac2bf324e6f3a7c58b8e7532dccd956b931094fe467430c02fb758/P1_The-Strength-Time-Takes.jpg" /&#62; &#38;nbsp; &#38;nbsp; &#60;img width="3541" height="5311" width_o="3541" height_o="5311" data-src="https://freight.cargo.site/t/original/i/a1517bdad2a7b0891d5efcd1348835c4a5de46b4f512b06583e52aa08089cdf6/P1_Moving-sideways-Attemp-Nr.-3_VigfusBirgisson.jpg" data-mid="151653755" border="0" data-scale="44" src="https://freight.cargo.site/w/1000/i/a1517bdad2a7b0891d5efcd1348835c4a5de46b4f512b06583e52aa08089cdf6/P1_Moving-sideways-Attemp-Nr.-3_VigfusBirgisson.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1920" height="1081" width_o="1920" height_o="1081" data-src="https://freight.cargo.site/t/original/i/ab8e4b901cc7da1fec71426f66106c93d09a2e80b8d08151c075ec05586d15d7/P7_Moving-sideways--Attempt-Nr.3_Dagur-Johannsson.jpg" data-mid="103602730" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/ab8e4b901cc7da1fec71426f66106c93d09a2e80b8d08151c075ec05586d15d7/P7_Moving-sideways--Attempt-Nr.3_Dagur-Johannsson.jpg" /&#62;Title of work/image right to left, up to down“Leaning on thoughs Landing”
“Moving Sideways, Attempt Nr. 3”“The Strength Time Takes and The Manifesto”
Video works: “Moving Sideways, Attempt Nr. 3” and “how things touch”
“Moving Sideways, Attempt Nr. 8”

á og í ;&#38;nbsp;(Intimacy with Nothingness)Listasafn Reykjanesbæjar &#38;nbsp;&#38;nbsp; Museum&#38;nbsp;Helga Þórsdóttir &#38;nbsp; Curation
Sólbjört Vera Ómarsdóttir &#38;nbsp; Costume
Rósa Dögg Þorsteinsdóttir &#38;nbsp; LightsDagur Jóhansson&#38;nbsp; Documentation &#38;nbsp; &#38;nbsp; Dansverkstæðið &#38;nbsp; Co-production



&#38;nbsp;Press &#124;&#38;nbsp;Event&#38;nbsp;&#124; Video
DUNCE PUBLICATION
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