Yelena Arakelow: Home

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	<title>Yelena Arakelow: Home</title>
	<link>https://yelenaarakelow.com</link>
	<description>Yelena Arakelow: Home</description>
	<pubDate>Thu, 18 Dec 2025 01:13:26 +0000</pubDate>
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		<title>HOME</title>
				
		<link>https://yelenaarakelow.com/HOME</link>

		<pubDate>Sat, 30 Jun 2018 12:20:23 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

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YELENA ARAKELOW

	&#38;nbsp; &#38;nbsp; PHYSICAL félagið &#38;nbsp;


contact


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Picture by Titas Falkaukas, Pūga festival


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		<title>Unsure materials for a variety of numbers</title>
				
		<link>https://yelenaarakelow.com/Unsure-materials-for-a-variety-of-numbers</link>

		<pubDate>Thu, 18 Dec 2025 00:57:55 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

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		<description>Unsure materials for a variety of numbers
&#60;img width="1067" height="1600" width_o="1067" height_o="1600" data-src="https://freight.cargo.site/t/original/i/10d999c01b06c951f1ff3ec32905bcaae2a30da480d96f4bf653d1452d2c396d/WhatsApp-Image-2025-11-02-at-21.44.30-3.jpeg" data-mid="241918170" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/10d999c01b06c951f1ff3ec32905bcaae2a30da480d96f4bf653d1452d2c396d/WhatsApp-Image-2025-11-02-at-21.44.30-3.jpeg" /&#62;

Ásmundarsafn, November 2025


‘Unsure materials for a variety of numbers’ is a performance in the beginning state of research, a spontaneous meeting between the dancers Yelena Arakelow &#38;amp; Linde Hanna Rongen as part of Project HOFIE. The project is set to take place between Oslo and Reykjavik and premiere at Ásmundarsafn on the 24th of July 2026. It engages in a three-hour durational performance, moving and counting alternately without pause. One counts while the other moves, then they switch. Non-stop, the performance creates a living score that evolves differently in each space.
&#60;img width="3929" height="5894" width_o="3929" height_o="5894" data-src="https://freight.cargo.site/t/original/i/ba9b576d638ab739bfbbcedd76754d383d4feecd2f0900dcd02c39ac4223b796/unsurematerial-7705.jpg" data-mid="241918167" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/ba9b576d638ab739bfbbcedd76754d383d4feecd2f0900dcd02c39ac4223b796/unsurematerial-7705.jpg" /&#62;
Ásmundarsafn by Sarah Lu Fischer, Weaving time, November 2025&#38;nbsp;Trailer
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Dansverkstæðið, December 2025

Project Timeline

Project Initiation - ReykjavíkDans.haus, 27–31 October 2025
(completed)
Work-in-Progress Sharing - ReykjavíkÁsmundarsafn, Dansverkstæðið, November / December 2025 (completed)
Research I - Oslo&#38;nbsp;1–7th June 2026(tbc)

Research II - ReykjavíkÁsmundarsafn, 13–29 July 2026
(confirmed)

Performances - Reykjavík, Oslo Ásmundarsafn (outdoors), 24th-29th July 2026/2027
(confirmed) 

 &#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/a5bc40e1cd0142cb812a8e853224e51d6142b506c4d361612dd300af81d7b33a/Yelena---Linde-1-1.jpg" data-mid="241918160" border="0"  src="https://freight.cargo.site/w/1000/i/a5bc40e1cd0142cb812a8e853224e51d6142b506c4d361612dd300af81d7b33a/Yelena---Linde-1-1.jpg" /&#62;
Dans.haus by Project Hofie, October 2025


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		<title>Studio Hours in Oslo</title>
				
		<link>https://yelenaarakelow.com/Studio-Hours-in-Oslo</link>

		<pubDate>Thu, 18 Dec 2025 01:13:26 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

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Studio Something &#124; Happens, Reykjavik, December 2025


"Studio Hours in Oslo" is an improvisation of the performative material I worked with during my Master's in Dance studies at KHiO. I spent hours on my own and with others dancing in and out of flow, sweating, shaking, searching for inconveniences and answers, writing, reflecting, reading, and chatting. The Asscrack Dance Practice was at heart. Sometimes the studio hours were in the state of being undressed, partially naked, or covered by clothes, and sometimes there was an imaginary crocodile.
Accessibility grid with trigger warnings

If you have any questions, please reach out to me (Yelena) directly.
Special thanks to Something / Happens Studio - Renāte Feizaka, Christalena Hughmanick, for having me, Dansverkstæðið - Steinunn Ketilsdóttir, Vala Rúnarsdóttir, for rehearsal space, as well as Linde Hanna Rongen and Katie Hitchcock for feedback.


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		<title>Crocodile, I Like The Way My Nails Look At Me</title>
				
		<link>https://yelenaarakelow.com/Crocodile-I-Like-The-Way-My-Nails-Look-At-Me</link>

		<pubDate>Fri, 07 Mar 2025 13:10:09 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

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		<description>Crocodile, I Like The Way My Nails 
Look At Me
A crocodile jumps to the bathroom
A dance wrestles to be rolled
A carpet rests like a lake
A naked bicycle runs for the tram 

The performance "Crocodile, I Like The Way My Nails Look At Me" explores the interplay between flow and non-flow, beauty and disruption. It navigates inconvenience and playfully interrogates the act of being seen. It is a dance piece driven by sweating, shaking and stretching boundaries of imagination. What occurs in an imaginative world with a crocodile resting beside a lake of joyful tears while exposing one's flesh? "Crocodile, I Like The Way My Nails Look At Me" becomes an audacious space for experimentation – where vulnerability meets agency, and the dancing body defies expectation.

The research process of this Master in Dance project was guided by questions: What desire unfolds in juiciness? How can a fully charged movement resist momentum? What somatic and performative shifts occur when dancing when exposing flesh? How does an experience unfold and change over time in the insistence and exhaustion of performative material?

Dance improvisation is the core of Yelena's practice which she carefully combines with dance notations in the form of choreographic notes. Yelena's work wouldn't exist without collaboration. "Crocodile, I Like The Way My Nails Look At Me" is dearly inspired by and co-worked with her friends and artists Sunniva Møen Rorvik, Nora Auerbach, Sigrid Marie Kittelsaa Vesaas, and Sólbjört Vera Ómarsdóttir. &#38;lt;3


Credits
Performance - Yelena Arakelow
Dramaturgy -&#38;nbsp; Nora Auerbach
External supervisor - Kristin Helgebostad
Internal supervisors - Bojana Cvejić and Torunn Helene Robstad
Sound - Ása Kolbrún Ásmundsdóttir with music by dj fucci and Eva808
Voice coaching - Tormod Tora Skår Midtbø
Lights - Eirik Lie Hegre
Costume - Signe Vasshus
Technical team at KHiO - Kjetil Skåret, Are Skaanes Engebretsen, Tormod Fuglestad and Ronnie Tungland 
Stage manager - Hanna Kristine Dybfest
Picture - Yaniv Cohen
Special thanks to my dear classmates Antonia Harke, Emma Leah Culén Khei, Marte Brustad Melhus and Sigrid Marie Kittelsaa Vesaas as well as to Jakub Ziemann, Clarinde Wesselink, Zsuzsa Rozsavolgyi, Nikolina Pristaš, Laura Lihua Nilsen, Lóa Björk Björnsdóttir, Birta Ásmundsdóttir, Arnar Hjartarson, Elisabeth C. Gmeiner, Emil Kristoffer Gustafsson and Manos Saklas.

Accessibility and trigger warnings
Partial nudity, smoke and loud music. Five bean bags are available each show for more comfortable seating.
 
Accessibility grid

Shows
20.03.2025 18:45
21.03.2025 18:00
22.03.2025 14:45* This is a low-intensity performance* 
24.03.2025 18:00
25.03.2025 18:45
*A low-intensity performance in "Crocodile, I Like The Way My Nails Look At Me" means: low light and sound intensity, no use of smoke, and the show is accessible for electric wheelchairs. Five bean bags are available for more comfortable seating. ATH: Partial nudity will remain as it is a crucial part of the performance. From 13:00-13:45, there is an opportunity for a touch exploration of the stage, its props and costumes guided by Yelena Arakelow. There is no need to sign up - just show up at 13:00 at the reception at the main entrance of KHiO. A self-made audio description will be available via a QR code link before the show, but devices for listening (e.g. headphones, media player, iPods etc.) are unfortunately not provided. If you have any specific questions about this low-intensity performance/format please be in touch with Yelena via email to y.arakelow@gmail.com.
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		<title>Asscrack Dance Practice</title>
				
		<link>https://yelenaarakelow.com/Asscrack-Dance-Practice</link>

		<pubDate>Tue, 29 Oct 2024 19:24:14 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

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		<description>Asscrack Dance Practicethe sticky strength of muscles glued throughoutthe muscles work juice for juicecrocodile tears running down my spine

&#60;img width="5345" height="3563" width_o="5345" height_o="3563" data-src="https://freight.cargo.site/t/original/i/e077582bba8a2e4483db8827b1629320e7349bbc5e6b8b6d708f4e6734c7f748/PROVEROMMET_MilaElisabeth_OKTOBERDANS_266.jpg" data-mid="220507113" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/e077582bba8a2e4483db8827b1629320e7349bbc5e6b8b6d708f4e6734c7f748/PROVEROMMET_MilaElisabeth_OKTOBERDANS_266.jpg" /&#62;

Dare I speak thoughts of wilderness passing like shivers of crocodiles calling above the surface water. Above the surface water, I wonder how can I let time pass slower, slower I can sink in sweat dripping past the concrete gasp. A gasp of details I wonder.
Is the wild body the body I have not tamed? Tame I tough for others’s sake. 
shake. shake thou shall not rest. rest when thou shall shake.Warm are my cheeks, cold my feet. Heavy lies the head of tears in between 
a gasp of sweat beneath my nails.
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In a world full of capitalist crocodiles it’s time for an asscrack dance.
This dance reveals asscracks, likes innocent nudity, loves thirsty water bottles and cares for unconventional shaking.
The “Asscrack Dance Practice” showcases an exploration of 
the asscrck dance scores which are part of Yelena’s MA Dance project
 at the Oslo National Academy of Dance.
The scores are raw, sweaty, somatic and thirsty.
Performed at Prøverommet during Oktoberdans in Bergen 2024https://bit-teatergarasjen.no/en/program/proverommet/&#38;nbsp;

Scores
Yelena Arakelow
PerformanceSigrid Marie Kittelsaa Vesaas, Sunniva Moen Rørvik and Yelena Arakelow
Duration14 minutes

Sound
DJ Ása Kolla / The Clubkid_Reykjavik
Pictures
Mila Elisabeth Larvoll</description>
		
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		<title>Ephemeral Echos</title>
				
		<link>https://yelenaarakelow.com/Ephemeral-Echos</link>

		<pubDate>Tue, 29 Oct 2024 19:37:58 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

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		<description>"Ephemeral Echoes: Archiving through Dance Notation"

&#60;img width="2320" height="1711" width_o="2320" height_o="1711" data-src="https://freight.cargo.site/t/original/i/c4f30285c2f01d2324a7aabf554d10238f0125776154f9498e050f5928028696/Mapping-Notation-Yelena-1.jpeg" data-mid="220507412" border="0"  src="https://freight.cargo.site/w/1000/i/c4f30285c2f01d2324a7aabf554d10238f0125776154f9498e050f5928028696/Mapping-Notation-Yelena-1.jpeg" /&#62;Dance Notation Research

Yelena Arakelow

Supervisor

Tinna Grétarsdóttir, Dansverkstæðið

With the support of 

Iceland University of the Arts

Oslo National Academy of the Arts

Nýsköpunarsjóður Námsmanna

Summer 2024
more info soon ...
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		<title>How to be moved by art </title>
				
		<link>https://yelenaarakelow.com/How-to-be-moved-by-art</link>

		<pubDate>Sat, 27 Aug 2022 11:51:13 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

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How to be moved by art
&#60;img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/6aded38017e5c12ae58b03a2eced8df774f676a0c35f9abaf7b51189237811dd/DSC04147.JPG" data-mid="151419631" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/6aded38017e5c12ae58b03a2eced8df774f676a0c35f9abaf7b51189237811dd/DSC04147.JPG" /&#62;

Do you sometimes feel like you are behaving wrongly inside an exhibition? "How to be moved by art" is a handbook* on how to reclaim the space of the museum through improvised movements and experiences. Dance Improvisation is a tool to establish a new relationship between you and the space you are in. Dance Enthusiasts invites you
to playful encounters with the ongoing exhibition.
Let's discover Gerðarsafn together.

*The handbook, created by Improv for Dance Enthusiast consists of 21 tasks in 5 languages&#38;nbsp; (English, Icelandic, Arabic, Polish, Spanish) and is for all ages and all bodies.

&#38;nbsp;
&#38;nbsp;


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Improv for Dance Enthusiasts is organising weekly dance classes in improvisation, contact improvisation and partnering, as well as dance jams with live music by local musicians.We stand for inclusivity and transparency towards our participants and create an open learning environment for both beginners and experienced dance enthusiasts to share the passion for dance.

The collective formed in 2020 and is run by four foreign artists living in Iceland: Janosch Bela Kratz, Linde Hanna Rongen, Magdalena Tworek and Yelena Arakelow.

&#38;nbsp;
	&#60;img width="3508" height="3110" width_o="3508" height_o="3110" data-src="https://freight.cargo.site/t/original/i/2efc191fa0f00e5baa356fab5350b0e76553d73aae4d49fc87fc298612b37cbe/271382968_924685031742800_3026275939903232798_n.png" data-mid="151419626" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/2efc191fa0f00e5baa356fab5350b0e76553d73aae4d49fc87fc298612b37cbe/271382968_924685031742800_3026275939903232798_n.png" /&#62;Graphics by Janosch Bela Kratz more info ︎︎︎︎︎https://dance-enthusiasts.org/en


&#38;nbsp; 

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		<title>Waiting for a dance</title>
				
		<link>https://yelenaarakelow.com/Waiting-for-a-dance</link>

		<pubDate>Fri, 23 Jul 2021 14:03:12 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

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		<description>
	
	
Waiting for a dance

	
This experimental dance performance proposes to the audience to indulge in the intimacy of waiting.
What does one experience in the state of waiting?
If we wait together, can we collectively experience desire for change? Unfolding time through repetition and nothingness increases the anticipation for something to happen. Perhaps something we don't yet know how to (...)link to trailer


&#60;img width="3196" height="1796" width_o="3196" height_o="1796" data-src="https://freight.cargo.site/t/original/i/bf218800c586f6a7ed8e6059ec91b6784c2fc9df9a7fb10a42a9cdc8afbdd6e1/Screenshot-2024-03-09-at-23.14.42.png" data-mid="206396226" border="0"  src="https://freight.cargo.site/w/1000/i/bf218800c586f6a7ed8e6059ec91b6784c2fc9df9a7fb10a42a9cdc8afbdd6e1/Screenshot-2024-03-09-at-23.14.42.png" /&#62;Titas Falkaukas, Pūga festival

Credits
Yelena Arakelow_Concept, Choreography
 Baiba Vanaga_PianoSólbjört Vera Ómarsdóttir_Costume

Yelena Arakelow_Soundscape

Premiere
18.08.2022, UNM Iceland

Shows
Reykjavik Dance Festival, Iceland_2022
Ásmundursalur (exhibition), Iceland_2023
Culture Night Grenchen, Switzerland_2023
Pūga Dance Festival, Vilnius, Lithuania_2023Residencies_2021/22Let’s Hang Out Together V, Reykjavik Dance Festival
&#38;nbsp;tóma rýmið and UNM, Iceland and Vangaži, Latvia

Produced and co-financed by UNM Iceland
with financial support by Tónskáldasjóður Rúv, Reykjavik Dance Festival 
and with the friendly support of Ernst von Siemens

Special thanks to 
tóma rýmið, Danvserkstæðið, Reykjavik Dance Festival,
Performing Arts Iceland (travel funding), Vikram Pradhan,
Jóhannes Stefánsson, Sóley Sigurjónsdóttir and
Eydís Rose Vilmundardóttir.

&#60;img width="2916" height="1932" width_o="2916" height_o="1932" data-src="https://freight.cargo.site/t/original/i/918754403fa478fa14959600eeb6f564b41697f66308105db62c93be55f188d9/Screenshot-2024-03-09-at-23.14.15.png" data-mid="206396227" border="0" data-scale="88" alt="Owen Fiene, Reykjavik Dance Festival" data-caption="Owen Fiene, Reykjavik Dance Festival" src="https://freight.cargo.site/w/1000/i/918754403fa478fa14959600eeb6f564b41697f66308105db62c93be55f188d9/Screenshot-2024-03-09-at-23.14.15.png" /&#62;
Owen Fiene, Reykjavik Dance Festival


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Eydis Rose Vilmundardóttir,&#38;nbsp;Dansverkstæðið


&#60;img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/04b398bd7fc94db8230617619425d32fb6a0b22119df7f537af847b7cc0f4ba2/1Titas-Falkaukas--Puga-festival.jpg" data-mid="212165809" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/04b398bd7fc94db8230617619425d32fb6a0b22119df7f537af847b7cc0f4ba2/1Titas-Falkaukas--Puga-festival.jpg" /&#62;
Titas Falkaukas, Pūga festival


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		<title>Dear Carrot </title>
				
		<link>https://yelenaarakelow.com/Dear-Carrot</link>

		<pubDate>Tue, 04 Jan 2022 00:03:17 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

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		<description>
	
	
Dear Carrot,&#38;nbsp;I’m sorry I forgot you outside

Participatory Experimental Dinner Experience
 in a newly created Urban Garden in Skeljanes

&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/34f65ee63cf7b25ab68e41ba63c59ec3feff640f4e64bee2065f25324cd7ff37/_MG_6192.JPG" data-mid="129004100" border="0"  src="https://freight.cargo.site/w/1000/i/34f65ee63cf7b25ab68e41ba63c59ec3feff640f4e64bee2065f25324cd7ff37/_MG_6192.JPG" /&#62;
Picture by Maria-Magdalena Lanchis
Created in collaboration with Jakub Ziemann
Ceramics &#124; Ada Stańczak
Plöntuíð &#124; Andrea Vilhjálmsdóttir
 Location &#124; tóma rýmið
Festival &#124;&#38;nbsp;Plöntuíð


&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/043eaedc455e53cb8759688380a5757bce594d63a24e9eb2ad5adc55e0e2cf02/_MG_6340.JPG" data-mid="129004144" border="0"  src="https://freight.cargo.site/w/1000/i/043eaedc455e53cb8759688380a5757bce594d63a24e9eb2ad5adc55e0e2cf02/_MG_6340.JPG" /&#62;Picture by Maria-Magdalena Lanchis

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		<title>á og í ;</title>
				
		<link>https://yelenaarakelow.com/a-og-i</link>

		<pubDate>Mon, 29 Mar 2021 10:48:56 +0000</pubDate>

		<dc:creator>Yelena Arakelow: Home</dc:creator>

		<guid isPermaLink="true">https://yelenaarakelow.com/a-og-i</guid>

		<description>
	
	
á og í ;&#38;nbsp;
(Intimacy with Nothingness)

With sensitivity she choreographs and leads the audience through the space of the exhibition and withso introduces an experience of Dance to the fine art world. By approaching to exhibit dance Yelena Arakelow confront how and where movement vs. dance starts, endures and ends.

She asks how movement weights and touches and
dwells in moving sideways in the intimacy of nothingness.
This exhibitions is inspired by Peter Sloterdijks writings on Infinite Mobilization where he looks at how movement leads to more movement; “..the self-exploitation of value as production of productivity is one of the many ways in which the modern mobilization loop begins to turn into movement that leads to more movement.”.
Yelena asks: “Perhaps it’s time to find an end to…” 


&#60;img width="5421" height="3614" width_o="5421" height_o="3614" data-src="https://freight.cargo.site/t/original/i/11d24fe3c5438050575753d1a2060f452e5742e482f5d2151107fb832218be47/P1_leaning-on-thoughts-landing_VigfusBirgisson.jpg" data-mid="151652071" border="0" data-scale="41" alt="&#38;ldquo;leaning on thoughts landing&#38;rdquo;" data-caption="“leaning on thoughts landing”" src="https://freight.cargo.site/w/1000/i/11d24fe3c5438050575753d1a2060f452e5742e482f5d2151107fb832218be47/P1_leaning-on-thoughts-landing_VigfusBirgisson.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/1cd390a7edd1c412da17547be66340ef04af9b9f059bcd9b7a82367b0769c743/P4_Moving-sideways--Attempt-Nr.7_Dagur-Jhannsson.jpg" data-mid="151652078" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/1cd390a7edd1c412da17547be66340ef04af9b9f059bcd9b7a82367b0769c743/P4_Moving-sideways--Attempt-Nr.7_Dagur-Jhannsson.jpg" /&#62;&#38;nbsp;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/74108f2125ac2bf324e6f3a7c58b8e7532dccd956b931094fe467430c02fb758/P1_The-Strength-Time-Takes.jpg" data-mid="151653756" border="0" data-scale="44" src="https://freight.cargo.site/w/1000/i/74108f2125ac2bf324e6f3a7c58b8e7532dccd956b931094fe467430c02fb758/P1_The-Strength-Time-Takes.jpg" /&#62; &#38;nbsp; &#38;nbsp; &#60;img width="3541" height="5311" width_o="3541" height_o="5311" data-src="https://freight.cargo.site/t/original/i/a1517bdad2a7b0891d5efcd1348835c4a5de46b4f512b06583e52aa08089cdf6/P1_Moving-sideways-Attemp-Nr.-3_VigfusBirgisson.jpg" data-mid="151653755" border="0" data-scale="44" src="https://freight.cargo.site/w/1000/i/a1517bdad2a7b0891d5efcd1348835c4a5de46b4f512b06583e52aa08089cdf6/P1_Moving-sideways-Attemp-Nr.-3_VigfusBirgisson.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1920" height="1081" width_o="1920" height_o="1081" data-src="https://freight.cargo.site/t/original/i/ab8e4b901cc7da1fec71426f66106c93d09a2e80b8d08151c075ec05586d15d7/P7_Moving-sideways--Attempt-Nr.3_Dagur-Johannsson.jpg" data-mid="103602730" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/ab8e4b901cc7da1fec71426f66106c93d09a2e80b8d08151c075ec05586d15d7/P7_Moving-sideways--Attempt-Nr.3_Dagur-Johannsson.jpg" /&#62;Title of work/image right to left, up to down“Leaning on thoughs Landing”
“Moving Sideways, Attempt Nr. 3”“The Strength Time Takes and The Manifesto”
Video works: “Moving Sideways, Attempt Nr. 3” and “how things touch”
“Moving Sideways, Attempt Nr. 8”

á og í ;&#38;nbsp;(Intimacy with Nothingness)Listasafn Reykjanesbæjar &#38;nbsp;&#38;nbsp; Museum&#38;nbsp;Helga Þórsdóttir &#38;nbsp; Curation
Sólbjört Vera Ómarsdóttir &#38;nbsp; Costume
Rósa Dögg Þorsteinsdóttir &#38;nbsp; LightsDagur Jóhansson&#38;nbsp; Documentation &#38;nbsp; &#38;nbsp; Dansverkstæðið &#38;nbsp; Co-production


&#38;nbsp;Press &#124;&#38;nbsp;Event&#38;nbsp;&#124; Video
DUNCE PUBLICATION
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